Ernest Bramah's Kai Lung stories are set in a fantastical ancient China and written with an oblique, ornate prose style that serves to mimic that of Chinese folk tales. The titular character is an itinerant storyteller and the books themselves are mostly collections of stories presented as if he were narrating. Kai Lung's Golden Hours, published in 1922, is the second of the Kai Lung books, and the first to have an overarching framing narrative and thus be published as a novel. In it we see Kai Lung brought before the court of the Mandarin Shan Tien, having been accused of treason by the Mandarin's agent Ming-shu. Appealing to Shan Tien's appreciation for refined narrative, Kai Lung tries to regain his freedom by spinning a series of beguiling tales filled with aphorisms and humorous understatement.
Equal parts fable, satire, and courtroom drama, Ernest Bramah's inventive novel turns storytelling itself into the ultimate weapon of survival. Steeped in wit, irony, and a distinctive ornamental style that lovingly parodies chinoiserie literary conventions, this is a delightfully sly entertainment for readers who relish clever narrators, nested tales, and the subversive power of a well-told story.
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